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Visual Arts

‘Market’ to support Western Heads East

‘Market’ to support Western Heads East

Next week, the Great Hall at Western will be transformed into an East African market and art sale showcasing local talent as well as Tanzanian and Kenyan crafters.

Between a rock and an artistic place

Between a rock and an artistic place

Kamilo Beach is, arguably, the world’s dirtiest beach. Located on the southeastern coast on the island of Hawaii, the beach’s sands are littered with marine debris – most of it plastic waste washed up from the Great Pacific Garbage Patch.

Plaques leave their marks on Western

Unless you were among 30 friends and family who gathered on a slightly breezy day in May, you probably don’t know why there’s a plaque on campus for Brenda MacEachern.

Student’s internal illness inspires external beauty

Gina Duque gave the ‘brush off’ to a number of local artists at a recent London fundraiser. Oh, no, it’s not what you think. The 23-year-old Bachelor of Fine Arts (BFA) student lacks the animosity and hostility to do so.

2012-13 Awards for Excellence in Teaching

KATHRYN BRUSH Visual Arts, Faculty of Arts and Humanities EDWARD G. PLEVA AWARD FOR EXCELLENCE IN TEACHING In her 26 years at Western, Visual Arts professor Kathryn Brush has distinguished herself as both teacher and researcher, as her research has always nourished...

Future of textiles

Even currently, intelligent textiles stretch the limits of the imagination and seem to border on science fiction – moving tattoos that crawl across the skin of the wearer, appearing and disappearing as they record stress; sensors in shirt sleeves that can register a wound and lead the fabric to tighten, forming a tourniquet; polymers that can be added to manufactured fibers, protecting the wearer from infection and disease; technologically enhanced military uniforms that can communicate with satellites.

Future of art

Future of art

When I consider where my discipline will be in 40 years, I think of a question writer Jennifer Higgie asks about the value of art in society: “How can change be manifested if it can’t first be imagined?”

‘Market’ to support Western Heads East

‘Market’ to support Western Heads East

Next week, the Great Hall at Western will be transformed into an East African market and art sale showcasing local talent as well as Tanzanian and Kenyan crafters.

Between a rock and an artistic place

Between a rock and an artistic place

Kamilo Beach is, arguably, the world’s dirtiest beach. Located on the southeastern coast on the island of Hawaii, the beach’s sands are littered with marine debris – most of it plastic waste washed up from the Great Pacific Garbage Patch.

Plaques leave their marks on Western

Unless you were among 30 friends and family who gathered on a slightly breezy day in May, you probably don’t know why there’s a plaque on campus for Brenda MacEachern.

Student’s internal illness inspires external beauty

Gina Duque gave the ‘brush off’ to a number of local artists at a recent London fundraiser. Oh, no, it’s not what you think. The 23-year-old Bachelor of Fine Arts (BFA) student lacks the animosity and hostility to do so.

2012-13 Awards for Excellence in Teaching

KATHRYN BRUSH Visual Arts, Faculty of Arts and Humanities EDWARD G. PLEVA AWARD FOR EXCELLENCE IN TEACHING In her 26 years at Western, Visual Arts professor Kathryn Brush has distinguished herself as both teacher and researcher, as her research has always nourished...

Future of textiles

Even currently, intelligent textiles stretch the limits of the imagination and seem to border on science fiction – moving tattoos that crawl across the skin of the wearer, appearing and disappearing as they record stress; sensors in shirt sleeves that can register a wound and lead the fabric to tighten, forming a tourniquet; polymers that can be added to manufactured fibers, protecting the wearer from infection and disease; technologically enhanced military uniforms that can communicate with satellites.

Future of art

Future of art

When I consider where my discipline will be in 40 years, I think of a question writer Jennifer Higgie asks about the value of art in society: “How can change be manifested if it can’t first be imagined?”