Smoke is pleased the Wampum Learning Lodge opens cross cultural dialogue and makes Indigenous ways of knowing and being accessible to Indigenous students while also supporting their education. “They can see others like them and see they’re all after the same goals of getting an education,” she said. “I can teach them how to take part in cultural practices without them having the struggles I did.”“My mom always said, ‘You always have to take care of your brothers and sisters.’ She didn’t only mean my siblings; she meant our brothers and sisters as Native people. It was a big responsibility, but I took it seriously because I really want to help our people.” – Mary Lou Smoke, Elder-in-Residence 2025-2027
Mary Lou Smoke inspired by Elders’ teachings amid cultural repression
Smoke’s own path toward understanding Indigenous spirituality and cultures was ignited by a movement that began in secret – by necessity after generations of repression. The Indian Act heavily regulated daily existence in Indigenous communities. An Indian agent lived on reserves to monitor residents and enforce laws such as the ban on speaking their own language. Prior to 1951, even speaking about or displaying their culture was forbidden, yet the Elders kept it alive under the cover of night.
Mary Lou Smoke, Elder-in-Residence at Wampum Learning Lodge, is available to Indigenous students and the wider Western community for compassionate conversation, Indigenous teachings and song. (Colleen MacDonald/Western News)
Smoke Signals amplified Indigenous voices through media
That grew into 33 years of Smoke Signals, the longest-running campus radio program in Canada. Throughout, the couple travelled across North America recording Elders at gatherings and ceremonies to document knowledge and stories. “We were students of life, still learning,” Smoke said. “Whatever I learn, I share.” In the late 90s, Smoke Signals also became a weekly commentary on CFPL-TV in London, Ont., then known as The New PL. When the station sought support for its CRTC licence renewal in 2002, the Smokes made a formal submission in person at the hearing in Gatineau, Que. The station needed to demonstrate its programming reflected the interests of local audiences. The Smokes had just ten minutes to make their case before their microphone would be turned off. “The CRTC guy had a timer on as we told the commission how The New PL let us speak about Indigenous issues like water quality on reserves, and how they rarely edited us.” When their time was up, the Smokes asked if they could sing an honour song as a show of respect for members of the media present who’d carried their messages to wide audiences. The commission agreed. “Dan and I sang the Migizi (Eagle) song. We went over our 10 minutes, but they didn’t shut us off. At the end, we got a standing ovation from the CRTC.”Preserving Indigenous wisdom through music
That was not the first time Smoke used music to connect to non-Indigenous people. A celebrated singer inducted into the Forest City London Music Hall of Fame in 2019, Smoke is still using music to build bridges.
The late Dan (Asayenes) Smoke and Mary Lou Smoke (Faculty of Media and Information Studies)












