The phrase âburnt outâ is centuries old
Writing in his 1771 travelogue The Farmerâs Tour Through the East of England, agriculturalist Arthur Young documented farmers pushed to physical and emotional collapse by relentless work. For instance, he tells the story of a sub-tenant farmer, William White. White worked hard to master new techniques of irrigation and climbed from âa day labourer to a little farmerâ despite having been âtwice burnt out, by which accident he lost a hundred pounds, notwithstanding the uncommon industry of repairing his buildings with his own hands.â In other words, Whiteâs barn burned down twice. He couldnât stop farming while rebuilding it, which meant he was working much harder than before, to the point where he lost 100 pounds. In Youngâs account, âburnt outâ joins material destruction with âvital exhaustion,â and âuncommon industryâ with accomplishment. Here, burnout has both a material and a social basis â material because a barn burning down necessitates extra work, and social because workers were expected, if not compelled, to do extra work and were supposedly rewarded for it with status and stories.From literal to figurative
Burnoutâs meaning shifted from literal to figurative over time. It began as a description of candles burning out or fuel being used up, then shifted to a barn burning down and a workerâs energy or body being depleted in the rebuilding. Eventually it came to simply describe a workerâs exhaustion. This change makes an analogy or even an identity between objects and workers. This change is figurative because this kind of identity is a metaphor: âWorkers are fuel.â We typically associate metaphor with imagination or rhetorical flourish. But philosophers George Lakoff and Mark Johnson argue that âmost of our ordinary conceptual system is metaphorical.â Metaphorical concepts structure âwhat we perceive, how we get around in the world, and how we relate to other people.â Because we rely on them for everyday activities, they arenât necessarily obvious. In âburnout,â the metaphorical concept within the term is something like âworkers are fuel.â This metaphor suggests that whatâs true about fuel is true about workers. Both can be extracted, bought and sold, and used to power machinery. Using more of them produces more power or commodities. Burnout referred, and still refers, to peopleâs response to certain conditions, not just to personal choice or poor stress management. It was, and still is, the consequence of a social structure that normalizes and compels excessive work.âMoonlightingâ followed the same pattern
The material and social bases of burnout have been generalized over time. It soon became normalized that workers always work extra, regardless of cause or result. Consider the term âmoonlight,â meaning âto do paid work in addition to oneâs regular employment; to take on a subsidiary job in order to supplement oneâs income.â This term may date to same period as burnout, much earlier than the Oxford English Dictionaryâs first attestation in 1957. In A Six Monthsâ Tour through the North of England (1770), Young writes of a coal miner and farmer named James Croft, âa genius of peculiar castâ he praises for receiving no âassistance either of money or labourâ nor skimping on his work in the mine to work on his farm. Croft worked tirelessly:âSince his beginning he has never had more than four hours sleep, and, of moon-light or bright star-light nights, seldom so much. The regular severe fatigue of the colliery has not been sufficient to bow down the spirit of this poor fellow; â he applies the remainder of the day, and even steals from the night, to prosecute his favourite works of husbandry â that is, to make up his hours of work twenty, out of the twenty-four.âYoung figures Croft was working 12 hours at night in the mine and then at least eight hours more on his farm. He adds that Croft had âinward complaints, that are, in all probability, the consequence of repeated strains.â Writing like Youngâs is often cited by historians for its statistics and stories, but these arenât value-neutral. They were intended to advance the transition to capitalism, in part by using characters like Croft and White as models to encourage complaint-free, excessive work. The periodâs georgic and pastoral writing accomplished much the same task, often by obscuring or redefining agricultural labour.












